#51 Celeste Headlee: The Dying Art of Conversation

Feb 5, 2019
Overview

Celeste Headlee, a journalist, opera singer, and author, shares her expertise on the art of conversation and deep listening. Drawing from her background in music and public radio, she offers actionable strategies to improve communication, foster genuine connection, and navigate difficult discussions.

At a Glance
40 Insights
1h 13m Duration
18 Topics
7 Concepts

Deep Dive Analysis

The Challenge of Listening and Musical Training

Understanding Music: Hearing vs. Listening

Vertical Listening and Shrinking Attention Spans

Transition from Music to Journalism at Public Radio

Writing for the Ear: Rules and Limitations

Distilling Complexity and the Fairy Tale Framework

Memorable Interviews and Preparation

Interview vs. Conversation: Control and Mutual Exchange

The Game of Catch: A Model for Good Conversation

Impact of Echo Chambers and Digital Isolation

Consensus vs. Cognitive Diversity in Problem Solving

When Conversations Turn into Arguments

The Benefits and Negative Impacts of Conversation

The Myth of a National Conversation

Human Beings Are Not Wired to Listen Well

Levels of Listening: Evaluative, Interpretive, Transformative

Acknowledging Without Agreeing: A Journalistic Skill

Conversational Narcissism and Similar Experiences

Vertical Listening

This is a complex form of listening where you hear all the different parts or 'voices' in a piece of music simultaneously, rather than just the main melody. It's like hearing a deck of cards fanning out, where you perceive a piccolo solo and a timpani roll at the same time, requiring intense focus and attention.

Writing for the Ear

This refers to crafting language specifically for spoken delivery, such as in radio, where clarity and simplicity are paramount. It involves using clean, crisp sentences, typically one thought per sentence, and avoiding complex structures to ensure easy comprehension without visual aids.

Fairy Tale Framework

A storytelling structure for news reports that simplifies complex information into a clear narrative with a beginning, middle, and end. It follows a 'Once upon a time, blank. And then every day, blank, until at one point, this happened. And because of this, this happened and this happened and this happened until finally this. And ever since then, blah' pattern.

Conversational Narcissism

A tendency to subtly or overtly shift a conversation back to oneself, rather than focusing on the other person's contribution. It can manifest as a 'shift response' (equating their experience to your own) or by withholding attention until the other person asks about you.

Evaluative Listening

This is a type of listening where the primary goal is to immediately judge what is being said as correct or incorrect, true or false. It involves listening to evaluate rather than to truly absorb or understand the speaker's perspective.

Interpretive Listening

This form of listening involves actively trying to understand and interpret what the other person is saying, often by asking for clarification or offering feedback. It moves beyond mere evaluation to a deeper engagement with the speaker's message.

Transformative Listening

The most open form of listening, characterized by a willingness to change one's mind, consider other points of view, and accept that another opinion might be as valid as one's own. This type of listening allows for personal growth and shifts in perspective.

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Why is listening inherently difficult for human beings?

Human beings, as a species, are not evolutionarily wired to listen well; our survival depended more on making noise to get attention. Research by Ralph G. Nichols confirms that humans are generally terrible listeners, and this is not primarily due to modern distractions like smartphones.

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How does musical training enhance listening skills?

Musicians are uniquely trained to listen carefully, not just to a conductor but to everyone around them for tuning, tempo shifts, and tone. This training involves listening vertically to multiple voices and nuances simultaneously, a skill transferable to other areas of life.

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What are the key principles of writing for radio or 'for the ear'?

Writing for the ear requires extreme clarity, simplicity, and precision, treating each sentence as a single thought. The goal is to sculpt information so it can be easily understood and absorbed by the brain without visual aids, avoiding subordinate clauses or complicated sentence structures.

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What is the fundamental difference between an interview and a conversation?

An interview is a formalized, structured conversation where one person (the interviewer) is in control and aims to shine a light on the guest's expertise. A conversation, conversely, should be a more balanced and mutual exchange of information between participants.

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What makes for a good conversation?

A good conversation is a mutual exchange of information, where participants learn something from each other and are engaged interactively. It's like a friendly game of catch, with an even balance of talking and listening, and a focus on setting the other person up for success.

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How do social media and technology impact our ability to have good conversations?

Social media and technology exacerbate our natural tribal tendencies, allowing us to isolate ourselves in echo chambers and become more polarized. Digital communication often makes us less likely to negotiate or cooperate, escalating conflict and making us 'bigger jerks' than in face-to-face interactions.

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When does a conversation cease to be a conversation and become an argument?

A conversation turns into an argument when one or both parties begin to feel defensive, as the brain instigates a fight-or-flight response. At this point, the mutual exchange of ideas stops, and it's recommended to disengage and return later.

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What are the only two instances where conversation can have a negative emotional impact?

Conversation generally has positive neurological and emotional benefits, except when it involves a negative tone (criticism, attack) or when someone is offering unsolicited advice or help. People generally dislike being told what to do or receiving unrequested guidance.

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Why should we avoid saying 'I know just how you feel' or equating our experiences with someone else's pain?

You can never truly know how someone else feels because the brain naturally softens memories of pain over time. Equating experiences, while seemingly empathetic, often makes the speaker feel better (due to activating pleasure centers) but doesn't necessarily help the person sharing their pain, who needs to be heard rather than compared.

1. Listen to Understand

Shift your listening focus from formulating a reply to genuinely understanding the other person’s message, as this is crucial for effective communication.

2. Listen to the End

Actively listen to the very end of what someone is saying, resisting the urge to formulate your next response, as planning your reply prevents you from truly hearing them.

3. Listen to Consider, Not Evaluate

Practice listening to deeply consider what the other person is saying, rather than immediately evaluating it for agreement or correctness, as evaluative listening is not genuine listening.

4. Practice Transformative Listening

Strive for transformative listening, which involves a willingness to change your mind and consider other points of view as valid, moving beyond mere evaluation or interpretation.

5. Balance Talk and Listen

Approach conversations like a friendly game of catch, aiming for an even balance between talking and listening to ensure mutual engagement and exchange.

6. Avoid Conversational Narcissism

Be aware of and avoid ‘conversational narcissism,’ which is the tendency to shift the conversation back to yourself by sharing similar experiences rather than focusing on the other person.

7. Use Support Responses

Practice ‘support responses’ by asking questions about what the other person has said, rather than shifting the topic to your own experiences, to show engagement and support.

8. Avoid Equating Experiences

When someone shares a struggle or pain, avoid equating their experience with your own or saying ‘I know just how you feel,’ as you cannot truly know their feelings and it shifts focus away from them.

9. Resist Self-Comfort Default

When someone shares their pain, resist the urge to default to talking about your own experiences out of discomfort, as this shifts the focus away from their needs.

10. Be Mindful of Self-Talk Pleasure

Be aware that talking about yourself is highly pleasurable for you (dopamine shot) but not for the listener, so consciously balance the conversation to avoid monopolizing it.

11. Enable Others’ Conversational Success

In conversations, focus on setting the other person up for success by asking engaging questions and ensuring interactivity, rather than just focusing on what you want to say.

12. Foster Interactive Conversations

Keep conversations interactive for all participants, as this is how humans learn and remain engaged, preventing others from tuning out.

13. Seek Mutual Learning

Strive for a mutual exchange of information in conversations, considering it unsuccessful if both parties haven’t learned something new from each other.

14. Abandon Conversational Agendas

Approach conversations without a rigid agenda or talking points, as having a predetermined script makes you predictable and disengaging, like a pundit.

15. Ask Neutral, Open Questions

Encourage others to speak by asking simple, clear, direct, and unopinionated questions, without expressing agreement or disagreement, to facilitate open communication.

16. Seek Others’ Explained Experiences

Recognize that you cannot truly see the world through another’s eyes; instead, ask them to explain their own experiences and perspectives to foster empathy and avoid making assumptions.

17. Use Voice to Humanize

Prioritize hearing someone’s voice over text or email, as the sound of a voice transmits crucial information that humanizes the other person and fosters understanding and empathic bonds.

18. Practice ‘Yes, And’

Use the ‘Yes, And’ technique from improv by accepting what the other person has said without argument or contradiction, and then building upon it, to foster collaborative conversation.

19. Disengage When Defensive

If you or the other person starts to feel defensive, recognize that the conversation has turned into an argument and disengage, walking away to return later.

20. Refrain from Unsolicited Advice

Do not offer unsolicited advice, as it often has a negative emotional impact on the recipient, even if the advice is valuable.

21. Ask for Explanations of Beliefs

When encountering difficult or disagreeable viewpoints, ask the person to explain their perspective and reasoning, as this can lead to transformative understanding.

22. Keep Conversations Intimate

For productive and focused conversations, aim to keep them intimate, ideally one-on-one or with a maximum of three to four people, as it’s difficult to sustain attention with more participants.

23. Seek Best Ideas, Not Consensus

For innovation and problem-solving, accept that not everyone will agree and aim to find the best ideas among differing viewpoints, rather than striving for uncomfortable consensus.

24. Train Careful Listening

Cultivate careful listening skills, similar to how musicians are trained, because success in many professions and understanding complex information depends on it.

25. Practice Vertical Listening

When engaging with complex information or conversations, practice ‘vertical listening’ by paying attention to multiple layers and nuances simultaneously, similar to how an orchestra musician listens to all parts.

26. Listen Vertically for Complexity

When encountering complex information, practice ‘vertical listening’ by simultaneously perceiving multiple layers and voices, rather than just following a single narrative, to grasp the full picture.

27. Prioritize Clarity in Speech

Be extremely clear, simple, and precise in your language when speaking, as any moment of confusion will cause listeners to miss subsequent information while they process what they didn’t understand.

28. One Thought Per Sentence

Limit each sentence or phrase to a single thought, especially when communicating verbally, to ensure clarity and prevent listener confusion or loss of information.

29. Show, Don’t Tell Verbally

Use vivid, descriptive language and ‘show, don’t tell’ by explaining observations (e.g., ‘phone ringing constantly,’ ‘desk piled high’) rather than stating conclusions (e.g., ‘he was busy’) to allow listeners to form their own judgments.

30. Focus on Human Element

Remember that effective communication, regardless of the topic, is fundamentally about ‘people talking to people about people,’ emphasizing the human element in your storytelling.

31. Use the Fairy Tale Framework

Structure your communication, even complex topics, using a simple ‘fairy tale framework’ (beginning, middle, end) to provide context and ensure easy understanding for the audience.

32. Maintain Narrative Momentum

Ensure your story or explanation constantly moves forward, like a shark, providing the next logical ‘rung’ for the listener without any gaps, to maintain engagement and understanding.

33. Eliminate Opinionated Language

Remove subjective or opinionated words (e.g., ‘finally’) from your communication to maintain objectivity and prevent unintended bias in your narrative.

34. Gauge Understanding by Explanation

Assess the success of your communication by whether the listener can explain the topic to someone else, as this indicates true understanding rather than just passive reception.

35. Write for the Ear

When communicating verbally or writing for an audience that will listen, use clean, crisp language with one thought per sentence and avoid complicated structures to ensure easy understanding and absorption.

36. Embrace Continuous Training

Actively seek out and accept every possible training opportunity, fellowship, or workshop to address perceived deficiencies and improve skills, as this leads to professional growth.

37. Prepare Thoroughly for Conversations

Always read the relevant material (e.g., books, background info) before engaging in important conversations or interviews, as thorough preparation allows for sincere and deeper questioning.

38. Start Strong, Ask Direct

Begin conversations or interviews with a direct, impactful question that immediately gets to the core of the topic, avoiding lengthy wind-ups and demonstrating your knowledge.

39. Highlight Guest Expertise

As an interviewer, frame questions to allow your guest to shine and share their expertise, understanding that the goal is to extract their knowledge for the audience, not to showcase your own.

40. Interviewer Maintains Control

As an interviewer, maintain control of the conversation’s direction and flow, as this structured approach allows the interviewer to guide the discussion effectively.

Listening is really hard. I'm not saying that to make you feel better, although I hope it does make you feel better. It's not hard because of our smartphones. It's not hard because we're distracted. It's hard because human beings, the species Homo sapien, does not listen well. Evolutionarily, we don't really need to.

Celeste Headlee

My great editor at NPR used to always tell me to make it a fairy tale, right? Once upon a time, blank. And then every day, blank, until at one point, this happened. And because of this, this happened and this happened and this happened until finally this. And ever since then, blah.

Celeste Headlee

The best model for a good conversation is a friendly game of catch. And there's a number of reasons for that. The most obvious is that in a game of catch, you can't throw more than you catch. It's a perfectly even balance between throwing and catching just as a conversation should be an even balance between talking and listening.

Celeste Headlee

Consensus is the enemy of innovation. You just have to, you don't have to do the Steve Jobs thing of having everyone scream at each other. But I recommend you don't do that. But you need to just accept that everybody's not going to agree and be okay with that. And make it the goal not to reach consensus but to find the best of the different ideas.

Celeste Headlee

As soon as you begin to feel defensive, the conversation is over. I recommend at that point, you just walk away. Come back.

Celeste Headlee

You already know everything you're going to say, right? I mean, nothing, you're not going to surprise yourself by something that comes out of your mouth. You already know it all. So if you get surprising information, that means you've heard it from someone else.

Celeste Headlee

It's quite interesting because just late last year, Nicholas Epley in Chicago and his colleagues released this study in which they were looking at people and how they absorb opinions they don't agree with. And they found out that when you read an opinion you don't agree with in any format, newspaper, book, online, wherever, you're more likely to think that person doesn't agree with you because they're stupid and they don't understand the core concepts. If you hear someone saying that same opinion in their own voice, you're more likely to think they disagree with you because they have different perspectives and experiences.

Celeste Headlee

Improv 'Yes And' Exercise

Celeste Headlee
  1. One person says a sentence.
  2. Every subsequent sentence begins with the words 'yes, and'.
  3. The purpose is to accept what was just said without questions or arguments, and then build upon it.
More than 16 million
Celeste Headlee's TED Talk views (combined) Across TED's website and YouTube channel.
Less than half a second
Time spent between one person ending a sentence and another responding Discovered in a global survey, suggesting people often don't listen to the end of what's said.
2003
Year Celeste Headlee became estranged from her mother Her mother taught her how not to have conversations.
7 years
Years Celeste Headlee worked at Arizona Public Radio Started in 1999, began working for NPR in 2006.
11 years
Years Celeste Headlee worked for NPR Implied from starting in 2006 and the context of her career progression.
10-15 minutes
Time for two strangers to become a common tribe Research shows our need to belong exceeds our need to be moral.